I thought, "What a great title, to combine phallic with fallacies." Of course, it has been thought of.
http://phallaciesumass.blogspot.com/
What a great website and group, though!
Dennis Etzel Jr.
Wednesday, April 24, 2013
More notes about animals
Derrida's "The Animal That Therefore I Am"
difficult cognative qualities of humans and non-humans
cognative ethology: study of animals' minds
Nature fakers debate
poetic thoughts of animals
otherness, strangeness, difference
zoomorphism
focalization
defamiliarization
asymetrical power relationships
inhumanism: privileges the animal over the human
make a joke at the expense of the pathetic fallacy
difficult cognative qualities of humans and non-humans
cognative ethology: study of animals' minds
Nature fakers debate
poetic thoughts of animals
otherness, strangeness, difference
zoomorphism
focalization
defamiliarization
asymetrical power relationships
inhumanism: privileges the animal over the human
make a joke at the expense of the pathetic fallacy
Notes about animals
Virginia Wolff's Flush as hybrid
http://en.wikipedia.org/wiki/Flush:_A_Biography
Anthropocentrisim under phallocentricism
Carrie Rohman, Stalking the Subject
TS Eliot, and human superiority
human/animal, humanimal, animal/human
Derrida's heterogeneous multiplicity
animality
controlling animal bodies in the Victorian age, via zoos, dog fancy
coevolution of human-dog, to get away from domestication model of dominance
Ulysses--dogs without owners
Waste Land--dog on corpse
shifting of gender roles and hierarchies in Modernist times
Bildungsroman: The novel of education
Bildung as humanist project, a project of self-cultivation
Animal narrative traditions
Victorian animal autobiography
Anthropomorphism
"Feminine" sentimentality
Flush as allegory of the woman writer
Unwelt: organiism's perception of the world
Jakob Von Uexküll: Foray Into Worlds of Animals
http://en.wikipedia.org/wiki/Jakob_von_Uexk%C3%BCll
http://en.wikipedia.org/wiki/Flush:_A_Biography
Anthropocentrisim under phallocentricism
Carrie Rohman, Stalking the Subject
TS Eliot, and human superiority
human/animal, humanimal, animal/human
Derrida's heterogeneous multiplicity
animality
controlling animal bodies in the Victorian age, via zoos, dog fancy
coevolution of human-dog, to get away from domestication model of dominance
Ulysses--dogs without owners
Waste Land--dog on corpse
shifting of gender roles and hierarchies in Modernist times
Bildungsroman: The novel of education
Bildung as humanist project, a project of self-cultivation
Animal narrative traditions
Victorian animal autobiography
Anthropomorphism
"Feminine" sentimentality
Flush as allegory of the woman writer
Unwelt: organiism's perception of the world
Jakob Von Uexküll: Foray Into Worlds of Animals
http://en.wikipedia.org/wiki/Jakob_von_Uexk%C3%BCll
Monday, April 22, 2013
A student asks about diversity
Diversity is complex to me, as the root of the word comes from "divert,"
while the meaning means the opposite--to combine different elements of
something.
Riffing off of Washburn University Diversity Initiative's definition:
When it comes to diversity in people, I think of sensitivity first. We are each
different, come from different cultures, background, beliefs, and we should each
be sensitive to that fact. Along with the sensitivity, we should also agree that
no one has the perfect definition of what diversity means. For example, gender
identity would not be included in any definitions from fifty years ago, as the
culture-at-large was not sensitive to such ideas. In general, if there is a
definition I could add to diversity, it is the sensitivity to how people identify themselves, as well as not
pushing definitions of identity onto others. However, the nice thing about
diversity is that we are all Washburn students--diverse and complex.
Friday, April 19, 2013
Adorno quote
"History has left its residue in punctuation marks, and it is history, far more than meaning or grammatical function, that looks out at us, rigidified and trembling slightly, from every mark of punctuation." —Theodor Adorno
Wednesday, April 10, 2013
Flarf and Conceptual Poetry
I spent an hour and a half preparing my Flarf and Conceptual Writing presentation. Assembled books, handouts, etc. Also had a hands-on part. I've used Katie Degentesh's The Anger Scale and Kenneth Goldsmith's Traffic as examples. Students read these without any prior information about these forms. Lots of great debate over "Is this real writing?"
Monday, April 8, 2013
Punctuation as Patriarchy
My first ideas: Punctuation stops the reader, forces closures, measures, enforces rules. Think of Elements of Style. Think of what is enforced in elementary schools.
I'm looking through these books, for examining the idea of punctuation as Patriarchy:
Alice Notley's The Descent of Allete
Gertrude Stein's "Patriarchal Poetry"
Gertrude Stein's "On Punctuation"
Kenneth Goldsmith's "Gertrude Stein's Punctuation"
M.B. Parkes' Pause and Effect: An Introduction to the History of Punctuation in the West
Jennifer DeVere's Punctuation: Art, Politics, and Play
Theodor Adorno's "Punctuation Marks"
Dorothy Richardson's "About Punctuation": "But in the slow, attentive reading demanded by unpunctuated texts, the faculty of hearing has its chance, is enhanced until the text speaks itself."
[
"A question is a question, anybody can know that a question is a question and so why add to it the question mark when it is already there when the question is already there in the writing. Therefore I
never could bring myself to use a question mark, I always found it positively revolting, and now very few do use it." --Gertrude Stein
"Is a question a feminized form of the statement?" --Rachel Zucker
I'm looking through these books, for examining the idea of punctuation as Patriarchy:
Alice Notley's The Descent of Allete
Gertrude Stein's "Patriarchal Poetry"
Gertrude Stein's "On Punctuation"
Kenneth Goldsmith's "Gertrude Stein's Punctuation"
M.B. Parkes' Pause and Effect: An Introduction to the History of Punctuation in the West
Jennifer DeVere's Punctuation: Art, Politics, and Play
Theodor Adorno's "Punctuation Marks"
Dorothy Richardson's "About Punctuation": "But in the slow, attentive reading demanded by unpunctuated texts, the faculty of hearing has its chance, is enhanced until the text speaks itself."
[
"A question is a question, anybody can know that a question is a question and so why add to it the question mark when it is already there when the question is already there in the writing. Therefore I
never could bring myself to use a question mark, I always found it positively revolting, and now very few do use it." --Gertrude Stein
"Is a question a feminized form of the statement?" --Rachel Zucker
Sunday, April 7, 2013
Documentation and Conceptual Collage
It's been on my mind, the idea of conceptual collage, appropriation as representation, etc. and what draws me to approaching projects with these forms. Really, I've documentated all my life--since I was four, picking up a camera, cutting out words from magazines, etc. When I was in trouble, I had to copy the dictionary, including the phonetics. Kenneth Goldsmith would love this!
Sometimes I take facebook discussions of poets and repost them. I've been caught, asked to remove them. (Sorry, A.B.!) I feel bad--I don't want to violate privacy or force such conversations to be Google-searchable. My conflict is with documentation of such conversations, that these did happen between the poets of the now, that these lists can help others, etc. If I kept these in files only, they could be lost, damaged, or--upon the event of my death--never found.
Ultimately, my other mother has survived another bout with lymphoma. She is still in the hosptial. 2013: The Year of the Hospital. As she is my mother's partner, my sister and I are the last survivors of that side of the family. How will this be documented? I've explored through poetry: see Denver Quarterly, Indiana Review.
I can't connect why I feel the urgency to capture, then send back, these histories, herstories, and such. I see a scholar 100 years from now asking about us Kansas poets. What will happen if they do a Google search and find some Dennis who was a poetic-historian, and have a major breakthrough in research?
Sometimes I take facebook discussions of poets and repost them. I've been caught, asked to remove them. (Sorry, A.B.!) I feel bad--I don't want to violate privacy or force such conversations to be Google-searchable. My conflict is with documentation of such conversations, that these did happen between the poets of the now, that these lists can help others, etc. If I kept these in files only, they could be lost, damaged, or--upon the event of my death--never found.
Ultimately, my other mother has survived another bout with lymphoma. She is still in the hosptial. 2013: The Year of the Hospital. As she is my mother's partner, my sister and I are the last survivors of that side of the family. How will this be documented? I've explored through poetry: see Denver Quarterly, Indiana Review.
I can't connect why I feel the urgency to capture, then send back, these histories, herstories, and such. I see a scholar 100 years from now asking about us Kansas poets. What will happen if they do a Google search and find some Dennis who was a poetic-historian, and have a major breakthrough in research?
Saturday, April 6, 2013
Friday, April 5, 2013
Paul Gauguin quote
"the future city -- to be built -- of which poetry would be the commanding gesture -- music the atmosphere -- painting the marvelous decoration"
-- Shaping by A.B.
-- Shaping by A.B.
Thursday, April 4, 2013
The Next Big Thing
So I need to give credit to both Eric McHenry and Tasha Haas, as they both asked me to do this. However, I do not feel like I could find/ask anyone new to do this. :)
http://tashahaas.com/the-next-big-thing/
http://oddevening.blogspot.com/2013/03/the-next-big-thing.html
http://travismacdonald.wordpress.com/2013/02/27/the-next-big-thing-graceries/
http://jenmariemacdonald.tumblr.com/post/44137796457/next-big-thing
*Ten Interview Questions for the Next Big Thing*
What is your working title of your book?
My Secret Wars of 1984
Where did the idea come from for the book?
From a poem I wrote, in which there was a space between 1983 and 1985. I realized 1984 is a pivotal, tumultuous year for me.
What genre does your book fall under?
Conceptual collage poetry
Which actors would you choose to play your characters in a movie rendition?
Me: Joshua Marie Wilkinson
My mother: Amy King
Lyn Hejinian: herself
bell hooks: herself
John Carlin: Joe Harrington
Ronald Reagan: Billy Collins
What is the one-sentence synopsis of your book?
In its entirety, My Secret Wars of 1984 is an alphabetized 366-sentence conceptual poetry-memoir collage, using texts from the year 1984 (Lyn Hejinian, Ronald Johnson, bell hooks, Marvel Comics, Dungeons & Dragons, President Reagan, etc.) with sentences of my own—within the context of political and personal struggles of that time (my mother coming out in the midst of living in a Catholic neighborhood, etc.).
Will your book be self-published or represented by an agency?
No.
How long did it take you to write the first draft of your manuscript?
366 sentences.
What other books would you compare this story to within your genre?
Any of the top ten of the New York Times Bestsellers List.
Who or what inspired you to write this book?
Joe Harrington, Lyn Hejinian, and Ronald Johnson.
What else about your book might pique the reader's interest?
The cover has artwork by a famous comic book artist.
http://tashahaas.com/the-next-big-thing/
http://oddevening.blogspot.com/2013/03/the-next-big-thing.html
http://travismacdonald.wordpress.com/2013/02/27/the-next-big-thing-graceries/
http://jenmariemacdonald.tumblr.com/post/44137796457/next-big-thing
*Ten Interview Questions for the Next Big Thing*
What is your working title of your book?
My Secret Wars of 1984
Where did the idea come from for the book?
From a poem I wrote, in which there was a space between 1983 and 1985. I realized 1984 is a pivotal, tumultuous year for me.
What genre does your book fall under?
Conceptual collage poetry
Which actors would you choose to play your characters in a movie rendition?
Me: Joshua Marie Wilkinson
My mother: Amy King
Lyn Hejinian: herself
bell hooks: herself
John Carlin: Joe Harrington
Ronald Reagan: Billy Collins
What is the one-sentence synopsis of your book?
In its entirety, My Secret Wars of 1984 is an alphabetized 366-sentence conceptual poetry-memoir collage, using texts from the year 1984 (Lyn Hejinian, Ronald Johnson, bell hooks, Marvel Comics, Dungeons & Dragons, President Reagan, etc.) with sentences of my own—within the context of political and personal struggles of that time (my mother coming out in the midst of living in a Catholic neighborhood, etc.).
Will your book be self-published or represented by an agency?
No.
How long did it take you to write the first draft of your manuscript?
366 sentences.
What other books would you compare this story to within your genre?
Any of the top ten of the New York Times Bestsellers List.
Who or what inspired you to write this book?
Joe Harrington, Lyn Hejinian, and Ronald Johnson.
What else about your book might pique the reader's interest?
The cover has artwork by a famous comic book artist.
Tuesday, April 2, 2013
Poetry Book Contests and Open Reading
Based on month each opens:
http://thelinebreak.wordpress.com/tag/the-song-cave/
January:
http://www.sarabandebooks.org/?page_id=1099
Sawtooth https://ahsahtapress.org/open-submissions/sawtooth-poetry-prize/
http://fourwaybooks.com/contest.php
http://www.mainstreetrag.com/PoBkCont.html
February
http://www.canarium.org/contact/
http://www.saturnaliabooks.org/
http://www.kent.edu/wick/competitions/first-book.cfm
April
http://www.uakron.edu/uapress/akron-poetry-prize/
http://www.losthorsepress.org/the-idaho-prize/
http://www.uiowapress.org/authors/iowa-prize.htm
May
Omnidawn First/Second Book
Ahsahta Press
1913 Press
Horse Less Press: Deadline May 31
June
Black Ocean
Les Figues Press
1913 Press
Brooklyn Arts Press
http://www.autumnhouse.org/contest-submissions/
July
BOA Editions
Subito Press
Factory Hollow Press
Tupelo Press
August
Red Hen Press: Deadline Aug 31
http://www.umass.edu/umpress/content/juniper-prizes
September
https://ohiostatepress.org/index.htm?/books/series%20pages/poetry.html
November
Omnidawn Open Contest
http://www.csuohio.edu/poetrycenter/contest/
http://thelinebreak.wordpress.com/tag/the-song-cave/
January:
http://www.sarabandebooks.org/?page_id=1099
Sawtooth https://ahsahtapress.org/open-submissions/sawtooth-poetry-prize/
http://fourwaybooks.com/contest.php
http://www.mainstreetrag.com/PoBkCont.html
February
http://www.canarium.org/contact/
http://www.saturnaliabooks.org/
http://www.kent.edu/wick/competitions/first-book.cfm
April
http://www.uakron.edu/uapress/akron-poetry-prize/
http://www.losthorsepress.org/the-idaho-prize/
http://www.uiowapress.org/authors/iowa-prize.htm
May
Omnidawn First/Second Book
Ahsahta Press
1913 Press
Horse Less Press: Deadline May 31
June
Black Ocean
Les Figues Press
1913 Press
Brooklyn Arts Press
http://www.autumnhouse.org/contest-submissions/
July
BOA Editions
Subito Press
Factory Hollow Press
Tupelo Press
August
Red Hen Press: Deadline Aug 31
http://www.umass.edu/umpress/content/juniper-prizes
September
https://ohiostatepress.org/index.htm?/books/series%20pages/poetry.html
November
Omnidawn Open Contest
http://www.csuohio.edu/poetrycenter/contest/
Monday, April 1, 2013
New projects
I have almost completed Topeka cento. The first draft is done, but I'm hoping Tod Marshall will come through for me. He is the last major Topeka poet left.
Also, as of yesterday, I have Amy King's permission to use her book I Want to Make You Safe for my next project. I truly admire her work, both on and outside of the page. She and Ana are inspirations--which is why the next project is autobiographical. As I am reading her work around Topeka, maybe aloud even, it serves as a site for social change. Look at Amy's own work in these areas. Maybe this is the catalyst for the project?
It starts with mapping out Topeka, and mapping out the Table of Contents. I am coping things out of the book. I would love to get my hands on some Topeka maps outside of the web. Maybe there are maps that conentrate on the areas I want to write in?
Also, as of yesterday, I have Amy King's permission to use her book I Want to Make You Safe for my next project. I truly admire her work, both on and outside of the page. She and Ana are inspirations--which is why the next project is autobiographical. As I am reading her work around Topeka, maybe aloud even, it serves as a site for social change. Look at Amy's own work in these areas. Maybe this is the catalyst for the project?
It starts with mapping out Topeka, and mapping out the Table of Contents. I am coping things out of the book. I would love to get my hands on some Topeka maps outside of the web. Maybe there are maps that conentrate on the areas I want to write in?
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