My Strike Out project is finished, so I'm off to working on the Kansas project--with Quindaro as the central metaphor. I only recently heard of Quindaro, which is not surprising as I am in Topeka. It reminds me of a conversation between Carrie and a family friend:
Carrie: Dennis is growing a John Brown beard.
Martha: Who is John Brown?
Martha was raised in St Louis, in KC now. However, if she grew up in Lawrence there would be no confusion. Even in Topeka, a lot of the Bleeding Kansas history was barely covered.
Which is why Quindaro is important to talk about now, as it has been ever since.
Dennis Etzel Jr.
Wednesday, January 21, 2015
Tuesday, December 9, 2014
Monday, December 8, 2014
Document Poetics
As I am working on my latest project using document poetics, I realize my own documentation of the process is very private. I'm carrying now my fourth draft, finding ways to approach the material, but my influences--those inspiring me to move forward--are missing.
So here they are:
I really do have to give a shout-out to Joe. He was the first to ever give me a list of books to consult for my project. Even though I didn't end up using document poetics for my project as much as the list he gave me did, this list-making is something I continue to do.
[
So here they are:
- Things Come On: An Amnoir by Joe Harrington [the most inspirational book for me]
- A Handmade Museum by Brenda Coultas: for those memoir pieces that need more poetics
- greensward and ours by Cole Swensen: for image as artwork with word-economy, and writing out of document
- The Complete Dark Shadows by Tony Trigilio: documenting my experience with going back to photos, research, and the combination [he really fuses these things in wonderful ways]
- Don't Let Me Be Lonely and Citizen (American Lyrics) by Claudia Rankine: another use of photo and news--to show the connections between private and public stories
- Green-Wood by Alison Cobb: poetic non-fiction, document poetics, genius, thorough
I really do have to give a shout-out to Joe. He was the first to ever give me a list of books to consult for my project. Even though I didn't end up using document poetics for my project as much as the list he gave me did, this list-making is something I continue to do.
[
Friday, November 21, 2014
Sexual Assualt and Trouble Writing
I am having a difficult time determining how to create a Conceptual Poetry piece speaking out against sexual assault. I was going to use a text by a semi-famous someone whose books, in the guise of fiction, are actually details of their crime. However, large parts of the book were written by the survivor, too, which means I ethically can't do an omission of that text. It one thing to do what Reddy did with Voyager, but when the survivor is a part of that text, I can't. I thought about using the "open letters" as a way to create an omission work. Really, my words and work are pale in comparison to the survivors who are SPEAKING OUT with their AMAZING vulnerability. I just want to write a book that says YOU ARE AWESOME!, and WE SUPPORT YOU! to them.
Friday, October 17, 2014
Projects
I realize the project around fighting sexual assault will be on the backburner. I just can't find the way to enter that project and feel non-exploitive.
Instead, I am beginning a collaboration with another poet around Agent Orange. Also, a baseball project is in full swing. :)
Instead, I am beginning a collaboration with another poet around Agent Orange. Also, a baseball project is in full swing. :)
Sunday, October 12, 2014
Greetings from Naropa
For the first conference, this is such an amazing experience. First, it is free. It is very generous for Naropa to offer this, including the food for the reception yesterday.
The panels are compelling, on the level of the best AWP panels I have attended, which is why this alt-AWP conference is a must. The overwhelming nature of AWP isn't here. People are friendly, passionate about their work, and there is a willingness to share about process and one's self.
The small, peaceful campus is a bonus, Also, I am blown away by the students and their presence to help with the conference.
I've met several poets I have been wanting to meet, plus CA Conrad is a delight to finally talk to in person.
I loved serving on the panel about mothers. The turnout was amazing, with a lot of energy and enthusiasm.
I have been tweeting different things I have caught at panels, Find my tweets @poemslyrical.
The panels are compelling, on the level of the best AWP panels I have attended, which is why this alt-AWP conference is a must. The overwhelming nature of AWP isn't here. People are friendly, passionate about their work, and there is a willingness to share about process and one's self.
The small, peaceful campus is a bonus, Also, I am blown away by the students and their presence to help with the conference.
I've met several poets I have been wanting to meet, plus CA Conrad is a delight to finally talk to in person.
I loved serving on the panel about mothers. The turnout was amazing, with a lot of energy and enthusiasm.
I have been tweeting different things I have caught at panels, Find my tweets @poemslyrical.
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