The Diode Editions 2018 Chapbook Contest is Open for Submissions!
https://www.diodeeditions.com/
Dennis Etzel Jr.
Sunday, April 29, 2018
Thursday, April 26, 2018
Books about film and the sublime
Landscape and film /
The symbolic, the sublime, and Slavoj Žižek's theory of film / Flisfeder, Matthew, 1980-
Terror and the cinematic sublime : essays on violence and the unpresentable in post-9/11 films /
Other Houses by Kate Cayley
https://www.spdbooks.org/Products/9781771314541/other-houses.aspx
Poetry. In OTHER HOUSES, Kate Cayley's second collection of poetry, objects are alive with the presence of the people who have handled them. Myths and legends are interwoven with daily life. Visionaries, mystics, charlatans, artists, and the dead speak to us like chatty neighbours. An imaginary library catalogues missing people. Reading becomes a way of remembering the dead. Home is an elsewhere we are "called to," a mystery that impels children to wander off, and adults to grow in unexpected directions. Cayley couples a rich, meaty lyricism with the intimacy of direct address, creating a poetry that is at once embodied and spectral. She directs us to wonder, "Did light and dark have a taste and texture, like food?" At the same time, her command of voice and narrative is masterful—each of these poems unfolds with the sweep and precision of a compressed novel.
"Beware of Kate Cayley. With an agility stolen from some other world she flicks this one open and invites us to watch our certainties scuttling away. Predatory and unsettling, these exquisitely crafted poems suggest that we are at our most human when yearning to reach beyond the visible."—Martha Baillie
Poetry. In OTHER HOUSES, Kate Cayley's second collection of poetry, objects are alive with the presence of the people who have handled them. Myths and legends are interwoven with daily life. Visionaries, mystics, charlatans, artists, and the dead speak to us like chatty neighbours. An imaginary library catalogues missing people. Reading becomes a way of remembering the dead. Home is an elsewhere we are "called to," a mystery that impels children to wander off, and adults to grow in unexpected directions. Cayley couples a rich, meaty lyricism with the intimacy of direct address, creating a poetry that is at once embodied and spectral. She directs us to wonder, "Did light and dark have a taste and texture, like food?" At the same time, her command of voice and narrative is masterful—each of these poems unfolds with the sweep and precision of a compressed novel.
"Beware of Kate Cayley. With an agility stolen from some other world she flicks this one open and invites us to watch our certainties scuttling away. Predatory and unsettling, these exquisitely crafted poems suggest that we are at our most human when yearning to reach beyond the visible."—Martha Baillie
The Fates by Joanne M. Clarkson Poetry from a hospice nurse!
https://www.spdbooks.org/Products/9781892471857/the-fates.aspx
Poetry. "Joanne Clarkson's THE FATES is a relentlessly engaging collection; you'll be hooked from the start. 'Anything can be spun: mare's tail, thistle, / free will. My task is dust / and the sticky milk of love,' she writes, assuming the guise of one of her three presiding goddesses. Like them, she spins, measures, and cuts—birth, life, and death—with language as her vital thread. Whether exploring her personal history or the stories of widows coping with grief, at almost every turn Clarkson draws from her broad experience as a hospice nurse. These poems display a deep compassion; their wisdom has been earned; and always they guide us toward finding ways 'to beat back blues / and yellows, every bruise, and just release / into the terrible need to live.'" —Richard Foerster
Poetry. "Joanne Clarkson's THE FATES is a relentlessly engaging collection; you'll be hooked from the start. 'Anything can be spun: mare's tail, thistle, / free will. My task is dust / and the sticky milk of love,' she writes, assuming the guise of one of her three presiding goddesses. Like them, she spins, measures, and cuts—birth, life, and death—with language as her vital thread. Whether exploring her personal history or the stories of widows coping with grief, at almost every turn Clarkson draws from her broad experience as a hospice nurse. These poems display a deep compassion; their wisdom has been earned; and always they guide us toward finding ways 'to beat back blues / and yellows, every bruise, and just release / into the terrible need to live.'" —Richard Foerster
Moon: Letters, Maps, Poems by Jennifer S Cheng
"With curiosity and attention, MOON shines its light on inquiry as art, asking as making."
I can't wait for this one!
https://www.spdbooks.org/Products/9781939460158/moon-letters-maps-poems.aspx
I can't wait for this one!
https://www.spdbooks.org/Products/9781939460158/moon-letters-maps-poems.aspx
Son of Achilles by Nabila Lovelace
https://www.spdbooks.org/Products/9781936919512/sons-of-achilles.aspx
I can't wait for this book!
I can't wait for this book!
Wednesday, April 25, 2018
Finishing
Two mothers poems
Include films
The Great Books
Star Trek tng
Driving them to work, graveyard shift
Their careers
Their meeting
Their wedding
How many times, Greek myth, back from the underworld
Include films
The Great Books
Star Trek tng
Driving them to work, graveyard shift
Their careers
Their meeting
Their wedding
How many times, Greek myth, back from the underworld
Planned poetry readings
Thursday, October 18, 2018 Without Violence Open-Mic Poetry Reading
1:30-2:30pm
Thursday, April 4, 2019 Ichabods Speak Out Open-Mic Poetry Reading
1:30-2:30pm
1:30-2:30pm
Thursday, April 4, 2019 Ichabods Speak Out Open-Mic Poetry Reading
1:30-2:30pm
Monday, April 16, 2018
Ichabods Speak Out: Poetry in the Age of Me, Too
Introduction
We are living in the age
of #MeToo. This viral social media movement has millions of participants
worldwide voicing their stories to demonstrate both the prevalence of sexual
violence (including assault and harassment) and the prevalence of those who empathize
with, advocate for, and support survivors. It is a historical moment—one we
believe will not slip quietly into the annals of history, reserved for mere
mention as a line in a paragraph dedicated to “special” topics of culture,
gender, and social power. Rather, we believe this movement is a testament both
to the hope that things will get better, and to the commitment to make things
better.
It is within this global
context of social change that Washburn University’s commitment to consent and to
the prevention of sexual violence has been developing and is being implemented.
For example, the University’s Department of English and the Sexual Assault
Education and Prevention Project collaborate in a poetry workshop and reading—a
Speak Out Against Sexual Assault event—in April of every year to acknowledge
Sexual Assault Awareness Month and to promote a healthy campus of consent.
Through coordinated efforts of many individuals and offices on campus, as well
as in conjunction with community partners such as the YWCA Center for Safety
and Empowerment, numerous other events and programs have been instituted on
campus as well. Examples range from ongoing sexual consent education and active
bystander training for faculty, staff, and students, to the recent creation of
a permanent staff position for a campus victims’ advocate. It is from this
milieu that Ichabods Speak Out is offered. Based on Dennis Etzel Jr.’s
research, this is the first for a university to publish a literary magazine of
poems specifically against sexual assault and for consent. With this project,
Washburn University establishes another use of media to show we, too, are a
campus of consent.
Still, we acknowledge
that some of the poems in this book do tell stories of sexual trauma; in
others, you will instead read of the hope of which we speak; and some of the
poems tell of transformations from horror to hope. However these stories are
told, it is their very telling that holds and offers power: these poems speak
to the reality that wherever there is oppression, there is resistance to it and
opportunities for empowerment. As such, this book is a document of the times, a
physical representation of the Washburn University campus and Topeka community
collective to speak out against sexual assault and to speak for consent.
We are immensely grateful
to Shelley V. Bearman who ignited the spark for this project, to all who
contributed poems to this work; to the Washburn University Alumni Association
and Foundation—especially Sarah Towle and Jeremy Wangler—whose adoption of this
project through the IMPACT initiative provided the mechanism to obtain
crowdfunded support to print copies of this book for free distribution on
campus and in the Topeka community; and especially to the generous individuals
who provided that crowdfunding, listed on page 15.
Jericho Hockett, Ph.D.
and Dennis Etzel, Jr.
February 22, 2018
[
[
Contents
Introduction 11
Donors 15
Shelley V. Bearman
I Stand Up 19
Elise Barnett
Self-Esteem 20
How to Break Rules 22
How to Keep a Secret 23
SB
“Someone is told to keep quiet” 24
Tara Rhiannon Bartley
To Trust 25
Contemporary Myths 27
Anonymous
Was it Rape? A Question for Myself at Twenty 29
Katy Chase
Conceptualization 31
TC
“Because of you, I am frightened of the dark” 32
Kay Duganator
NO 35
I am “Fine” 37
#MeToo 39
Anonymous
I’m Supposed to Write a Poem About Rape 41
TD
“COPE” 43
Julie Eisele
Kissing Sounds 46
Natalie Engler
Everything is (NOT) Fine 48
F*** Him 50
Months 51
Dennis Etzel Jr
Hollywood, Too 53
Sydney Haugh
Me Too 54
Jericho Hockett
Rising 55
A Lovely Piece of Art 57
Maggie Hutchinson
Two Young Women 58
Maureen Kennedy
[Consent] 60
[Womanhood] 61
[Definition] 62
Anonymous
Just Because 63
Diamond Mclaughlin
Sins 64
Pain 65
Dreams 66
Anonymous
“All I wanted to do” 67
Dave Proverse
Live and Let Live 68
What She’s All About 70
Lakpa Sherpa
My Body is a Story 72
Anonymous, from one human
to another
“strength taken away” 74
“as a flower grows” 75
Molly Steffes-Herman
For You My Love 76
Linda Thorton
Some Say Love 77
Vestri Cupidita 78
Julie Velez
The Wave (Alternately: Don’t Panic) 79
Prompt: Shadow self: the dark part of yourself
that
only you know and only light can expose 80
Wonder 81
Barbara Waterman-Peters
“Your hand slid inside my jacket” 82
Sharon Sullivan
“I am a secret keeper” 83
A Tribute to Shelley V.
Bearman 87
Contributors 91
[
This printed book is made
possible by a Washburn Impact Fund whose contributors are:
Erin Chamberlain- $20
Barbara Waterman-Peters
-$100
Vicki Pepperdine -$25
Kelly Erby -Undisclosed
Amount
Sarah Fizell - $60
Anonymous - $25
Alan & Shelley
Bearman - $50
Amy McCaskey - $25
Sharon Sullivan - $10
Christopher Jones - $15
Linsey Moddelmog - $25
Mary Ralston -
Undisclosed Amount
Anonymous - $5
Julie Velez - $25
Elaine Becker - $25
Anonymous - $25
Julie Hendrickson - $15
Tara Bartley - $25
Jericho Hockett - $25
Jennifer Pacioianu - $25
Denise Low - $25
Anne Hawkins -
Undisclosed Amount
Karalyn Kendall-Morwick -
$10
Dennis Etzel Jr - $15
Shelley Bearman - $25
Thank you so much!
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