Waiting to hear back from ncte
and from International Conference on Religion & Film
in March?
for May>>already asked for
Register for conference money in August
Either for ncte?
Waiting to hear back from ncte
and from International Conference on Religion & Film
in March?
for May>>already asked for
Register for conference money in August
Either for ncte?
Fall 2024
Submit for Fall 2025 Sabbatical
EN 210 Online (cross-listed with EN 399 and RG 300)
EN 101 MWF 9:00-9:50
EN 101 MWF 10-10:50
EN 300 Online nursing emphasis
Spring 2025
MWF 8:00-8:50 EN 300
MWF 9:00-9:50 EN 206
MWF 11:00-11:50 EN 300
Mon. 5:30-8:00 EN 190/390
Fall 2025
sabbatical
Spring 2026
Beginning Poetry (206): Etzel
Superhero Films
Fall 2026
EN210
Spring 2027
Beginning Poetry (206): Etzel
Beginning Nonfiction (207): Etzel
Fall 2027
EN210
Spring 2028
Beginning Poetry (206): Etzel
Fall 2028
EN210
Themes
Genre
Mythology and religion and philosophy and psychology
Vietnam
Two lesbian mothers
Neuroqueerness
Superheroes
Everything everywhere all at once
Mental rom-coms
Places that movie theaters are
The positive Trickster
Self-care Cinema therapy
I'm from Topeka Kansas and so are you
Art Plus capitalism equals emptiness
What does it mean to write a memoir, film as memoir
Generative Poetic Practices like the HBO guide and analyzing it back and forth and everywhere
Phenomenon philosophy, indie VS corporate, loss of the Dickinson theater, while Atchison rallied
In a dead end job
At the movies in December, the best movies come out, reflection, snow storms and the beauty of Silence
I know I should really think about writing pieces that are funny, smart, in other words have wit.
In other words, write pieces that I would love to read out loud and to an audience.
Think of pacing, think of ways that a story engages with a listener.
Leaving Louise's reading and how she affirmed that a lot of life is about pain but the comedy helps relieve that or at least make it approachable. And how difficult it is to write comedy as I'm talking to Eric and he remembers the piece that I wrote called against masculinity in the comedy I had written about after writing about the angry men I had survived when my mom came out after her divorce and said I don't think I like men and I responded me either! And then how I then run into Roger who took a fiction class with me 8 years ago and he remembered what I said about there's a story and everything and he even mentioned the story recently wrote called sticky notes. He now has a couple of Memoirs written. And a couple of novels. And here's the thing it's toward the end of the semester and I was feeling down and sometimes that little depression comes back but then here are these notes as I'm thinking about writing memoir and that I have to remember is to bring back that comedy. I love how my mom said I always used to tell jokes and I was always being humorous but I also know that was partly the disguise of the sadness I was feeling. Eric told me about another time when we were both students at Robinson Middle School and somehow someone told him about when I was in Randolph Elementary School that I asked someone in the back do you want to see me jump out the window? And I had then showed a piece of paper with the word Jump On It. I waited for the teacher to turn back around and threw that piece of paper out the window!
I'm wondering that comedy will be a part of my memoir?
I'm telling you, I'm ready to go to the next level and talking about students about their writing. I'm going to be on the next level about talking about safety and belonging. I'm going to talk about engagement and how students need to find a way to engage with the course and not just left it off. And most importantly the idea of ethics. We all need a moral compass and ethics means not using chat gpt. It means truly finding a way to engage.
And when I tell them I'm using trauma informed basis for their field of study, I'm definitely going to talk about what that means. It doesn't mean calling people snowflakes. It means the reality that there are people who would benefit from having empathy and the use of ethics that they could be trusted and everyone could win.
Let me tell you about my friend Tony who's into real estate. He was having a hard time closing on a house as the sellers all of the sudden decided to raise the cost a slight bit just as the buyers knew they really wanted that house. The sellers wanted more money. On the day at the closing.
So Tony got with the seller realtor and said let's take a cut out of our paycheck. Let's just write off what we would normally make because we want to make these people happy.
Really the time and money the Realtors put in, the time the buyers put in, everyone would win win even though the Realtors weren't going to make as much.
But really Tony did it because he wanted these people to get the house. These are people he spent time with and got to know on that personal level that people can choose to have or not to have.
So I know there are car sales people who are taught that it's all about the sale and the scam, to see how much money you can get. And I know there are sales people out there who just want to get someone in a car they can afford.
Your moral compass and ethics which will sell them have to do with how much money you can make off of someone. If you're already trying to scam someone or get the most out of someone, you are probably compromising your ethics.
Jericho and I are so excited to offer TX200: Movies, Myth, and the Mind this Fall! In a nutshell, our course is exploring how films—esp. in a movie theater--are contemporary mythology, can be sites for self-care, and can be like a religious experience. It is a mashup of cognitive and social psychology with therapy, religious studies, mythology, and poetry, examining why we can feel like kids again, feel deep empathy or relate to characters that we don't feel as so alone or an outcast, or leave transformed by a movie in conjunction with a theater experience.